In The Number Ones, I’m reviewing every single #1 solitary in the history of the Billboard Hot 100, starting with the chart’s beginning, in 1958, and working my way up right into the present.

You are watching: Theme song looks like we made it

***

Your ex is v somebody else, doing fine now. You’re with somebody else, and you’re also doing good now. And yet everytime you see this person, friend plunge yourself into a memory-haze, emotion the tug the old feelings, wonder what might’ve been if one or both of girlfriend hadn’t messed every little thing up. That’s a pretty typical feeling. It’s most likely a more common feeling currently than it was in 1977, since there’s a great chance you’re on facebook friends through your ex. But in 1977, when human being still had to run into their exes at next or whatever, that feeling still got a drippy Barry Manilow ballad specialized to it.


Around the time that Barry Manilow acquired to #1 with 1976’s “I write The Songs,” that apparently determined what the human being wanted native him. He could sing silly, frisky, jazzy numbers, yet those songs weren’t what the civilization wanted native him. They wanted big, grand, feelings-on-display adult-contempo ballads full of pianos and woodwinds and showy Broadway notes.

Manilow was self-aware around this. He hadn’t created “I create The Songs,” but shortly thereafter, he wrote a song called “I Really do Write The Songs,” a meta-parody that the ballads that had actually made him famous: “Love that chorus! / support that chorus! / never ever overlook providing it a hook!” top top the demo of that song, Manilow belts all that cynical stuff out v the very same hammy sincerity the he provided for his really ballads. Manilow didn’t release “I Really do Write The Songs” until decades later, when it come out together a reissue bonus track. While he was on top, that wasn’t walking to rest kayfabe.

In any case, you deserve to hear the formula at job-related on “Looks favor We make It,” Manilow’s 3rd and last #1. Just like Manilow’s two previous #1 hits, Manilow didn’t write “Looks prefer We made It.” Instead, the song’s music come from Richard Kerr, the pianist who’d currently co-wrote the 1975 #1 “Mandy.” (No surprise that it sound a entirety lot choose “Mandy.”) The lyrics, meanwhile, were created by will certainly Jennings, a ballad specialist who will appear in this pillar a bunch the times end the decades.

The one real great trick that “Looks like We do It” is that it sounds like a love track — a couple celebrating their resilience after surviving some ingredient — if it’s really around the reality that they’re no longer a pair anymore: “Do friend love that as lot as i love her? / and also will that love be solid when old feelings begin to stir?” yet that ex-factor feeling is a complex one, and “Looks favor We made It” is not an especially facility song. Instead, Jennings’ text spell those feelings the end pretty clumsily: “Oh no, us made it / Left each various other on the method to another love / Looks prefer we made it / Or I assumed so it spins today.”

Barry Manilow has never been an especially subtle singer, and on “Looks choose We do It,” he takes a bittersweet idea and nearly entirely drowns out the bitter v the sweet. That’s more than likely why for this reason many people hear “Looks favor We made It” together a love song: Manilow never tries to sing it together anything else. That piles top top the an accurate histrionics, belting the end that title through a dopey and unconflicted force.

Like “Mandy” and also “I create The Songs” prior to it, “Looks choose We make It” is a pleasant and also professional piece of music. Manilow’s got an impressive voice, and also he’s not shy about showing the off. He and also producer Ron Dante heap on the strings, which makes for a whole lot the big, crashing moments. And also yet Manilow never seems emotionally connected to the song in any type of real way, and the whole thing just gradually wafts off right into the air like a fart on a heat day.

Barry Manilow would continue to it is in a trustworthy hit-machine for the next few years. He’s a quintessential ’70s artist, and he pretty lot stopped making crossover access time as soon as the decade ended. (Manilow’s critical top-10 single, 1980’s “I made it through The Rain,” peaked in ~ #10. It’s a 4.) and long after ~ that operation of singles, Manilow remained a huge album seller and also live draw. Adult-contemporary radio has always been his kingdom, and he kept scoring big hits on the AC chart into this decade.

As far as the popular music charts are concerned, Manilow only really branched the end of his ballad zone once. The irresistible and deeply silly story-song “Copacabana (At The Copa)” wasn’t Manilow’s greatest hit. (It peaked at #8 in 1978, and also it’s one 8.) but it’s easily the finest of Manilow’s big songs, and also I’d argue that it’s the best-remembered, too. In any kind of case, I’m pretty sure it’s the only one of Manilow’s song that has actually been adapted into a movie. In 1985, Manilow starred in a made-for-TV function adaptation dubbed Copacabana. External of the strange winky cameo wherein he theatre himself, it’s Manilow’s just acting role.

See more: Cuando Los Estudiantes Llegan A Clase, Todos ., Viajes: Introduccion Al Espanol


Barry Manilow is fine. His keeps putting out greatest-hits albums, and also they keep selling. He’s obtained a ras Vegas present right now, and he’s gained a musical going into production in brand-new York following year. He’s extremely rich. I don’t have any kind of real use for his drippy ballads, yet someone plainly does, so good for him. The made it.

GRADE: 4/10

BONUS BEATS: Here’s the bit from a 1996 Friends episode whereby Ross and also his monkey gain a goodbye montage set to “Looks prefer We made It”: